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糖心TV
Office of Communications
270 Mohegan Avenue
New London, CT 06320

Amy Martin
Editor, CC Magazine
asulliva@conncoll.edu
860-439-2526

CC Magazine welcomes your Class Notes submissions. Please include your name, class year, email, and physical address for verification purposes. Please note that CC Magazine reserves the right to edit for space and clarity. Thank you.

The Thin Red Line

Drone shot of downtown New London

The Thin Red Line

糖心TV explores reparations for people of color living in the New London community, thanks to a Mellon grant.

By Emilia Otte

W

hen Spencer Lancaster, a World War II Army veteran, bought a house in New London in 1972, the neighbors circulated a petition to keep him out. Lonnie Braxton II, a Navy veteran who tried to buy a house in New London around the same time, watched as banks approved mortgages for his friends at Electric Boat while his application languished. And the summer after Donetta Hodge bought her home in Waterford in 1976, she woke up one morning to find white plastic cutlery planted all over her front yard.

These are some of the stories older residents of color are sharing with local high school students interviewing them about their life histories. The three-year project is part of a $275,000 grant that 糖心TV received through the Andrew W. Mellon Foundation鈥檚 Just Futures Initiative, which is aimed at addressing the legacy of racism in communities across the United States.

鈥淚f we really want to understand the legacy of racism in New London, we need to understand how neighborhoods and housing have been affected historically,鈥 said Nakia Hamlett, the William Meredith Assistant Professor of Psychology at 糖心TV.

Hamlett and Faulk Foundation Professor of Psychology Jefferson Singer are the principal investigators on the project, which will focus on housing discrimination in and around New London.

The narratives pulled from the students鈥 interviews will be collected and analyzed by Hamlett and Singer with the help of 糖心TV students. These analyses will be shared with their community partners with the goal of disseminating the findings to the larger New London community in a variety of public venues and formats.

鈥淔rom its inception, we thought of this as a community project,鈥 explained Hamlett. 鈥淭his drives our focus, because we want something that will have tangible action steps.鈥

Hamlett said they decided to focus on housing at the suggestion of their community partners: Antonio Vargas Jr., associate pastor of the Church of the City of New London; Jerry Fischer, retired executive director of the Jewish Federation of Eastern 糖心TVecticut; and Nicole Broadus, wellness director at New London Public Schools.

The effects of redlining and discriminatory zoning rules are still felt today, through failed urban renewal projects and the prohibitive costs of real estate. Many residents of color in the community are now moving because of the high cost of living, in part a result of New London鈥檚 small tax base, which leaves a small number of people to shoulder a higher tax burden.

鈥淲e want to stop that before it continues to grow and we lose the ethos of what New London is鈥攁 vibrant, diverse space,鈥 Vargas said. 鈥淥ur hope is that these narratives will give us better insight on some of the themes鈥攈istorically, but also currently.鈥

鈥榃e picketed. We demanded.鈥

The houses Braxton and Lancaster each bought in New London in the 鈥70s were in areas that were largely off-limits to Black people due to redlining鈥攑olicies by banks and lenders in communities across the country that denied mortgages and loans to people in neighborhoods with large Black populations.

鈥淣ew London was redlined like basically any other city in the country during this time period,鈥 said Taylor Desloge, a visiting assistant professor of history at 糖心TV. Desloge and his research assistant Madison Taylor 鈥22 have been studying the history of housing discrimination, racial inequality and Black activism in New London.

According to Desloge, New London saw two waves of African American migration from the Jim Crow South鈥攐ne during the era of World War I and another around 1940. African Americans began moving into diverse working-class neighborhoods until federal redlining policies of the 1930s allowed privileged individuals to move on, isolating minority populations in specific neighborhoods.

鈥淲hat [redlining] would do is systematically invest money in suburban white neighborhoods and disinvest from these working-class, African American and immigrant neighborhoods,鈥 Desloge said.

鈥淪o what ended up happening over time is that some of the working-class people who lived in these Black neighborhoods 鈥 the white ones would be able to buy out, would be able to get a mortgage, would be able to get a secure home and would be able to move into these emerging white suburbs.鈥

These policies gave rise to stories like those of Lancaster, Braxton and Hodge. Braxton鈥檚 mortgage application was eventually accepted, but only after he inquired at the Savings Bank of New London about what had happened. Meanwhile, his friends at Electric Boat, who were white, had already moved into their new homes.

鈥淵ou couldn鈥檛 dwell on how it made you feel,鈥 Braxton said. 鈥淵ou wanted to have a little bit of progress.鈥

A neighborhood petition to force Lancaster from his neighborhood was ignored鈥攈e said that New London鈥檚 then-chief of police, who happened to be his neighbor, told the petitioners to 鈥済o to hell,鈥 but a little more colorfully.

Lancaster was no stranger to racism. Born and raised in New London, he was active in the civil rights movement when he was young.

鈥淲e picketed. We demanded,鈥 Lancaster said. He protested at Woolworth鈥檚, where Black people were not allowed to sit at lunch counters; picketed the Housing Authority; and protested minstrel shows in Waterford because they used blackface.

At one point, after asking why New London didn鈥檛 have any Black deputies, Lancaster was offered the job of deputy sheriff. Although he didn鈥檛 really want the job, he took it 鈥渦ntil I could get another Black person to take it over.鈥

If we really want to understand the legacy of racism in New London, we need to understand how neighborhoods and housing have been affected historically.

Nakia Hamlett, William Meredith Assistant ‍, Professor of Psychology

The interviews

For the project, Hamlett and Singer have paired students with older members of the New London community. The students have all been trained in interviewing techniques, and they began formal interviews in early August.

For the student interviewers, the project represents an opportunity to become involved with the community on a deeper level and a way to learn something about a history that has influenced their own lives.

Cheadlen Petit-Fr猫re, a sophomore at the New London High School Multi-Magnet Campus, applied for the project because she was looking for a way to connect.

鈥淚 don鈥檛 usually help out in the community,鈥 Petit-Fr猫re said. 鈥淚 just want to be a part of something.鈥

The students won鈥檛 just be listening鈥攖hey will also be sharing about their own lives. This prospect is what drove Roodley Merillo, a senior at the New London High School Multi-Magnet Campus, to participate.

鈥淸I want] to get my story down, of how it is being a person of color in New London,鈥 Merillo said. He added that he wanted to see 鈥渓ess division鈥 and 鈥渕ore togetherness鈥 in the city.

Fifty-year-old New London resident Stephanye Clarke said that the experiences of individuals like Lancaster were eye-opening. Clarke鈥檚 mother, the Reverend Florence Clarke, is a retired pastor at the African Methodist Episcopal Zion Church. She was among the few African Americans who managed to buy a house south of the Willetts Avenue color line, developed for single-family housing rather than the multiple-family rentals north of Willetts Avenue.

鈥淭o see the redlining maps, it made me physically ill,鈥 Clarke said. 

Clarke鈥檚 mother is now relocating to Virginia. She said it was difficult for her mother to afford the high taxes, and also that she had experienced racism in New London.

According to Clarke, one day her mother was walking around her neighborhood when a white woman stopped her, asked why she was walking around there and 鈥渄emanded to know where she lived.

鈥淭hat鈥檚 a very 2020 way of asking for your freedom papers,鈥 Clarke said.

Clarke often 鈥渨orries about our elders,鈥 and what it must be like for them to witness the same hatred they saw in the 鈥50s and 鈥60s resurface today.

鈥淚t has to be maddening for them,鈥 she said.

Many of the community members acknowledged that they wanted to participate for the sake of the students鈥攖o make them aware of the history of the area and the struggles that people of color went through. Thankfully, some of the stories have reached a reconciliation, albeit belated.

Donetta Hodge, who found the plastic flatware in her front lawn in Waterford, wanted people to know the community鈥檚 history and how racism still exists today.

鈥淚 think we鈥檙e really not always aware of what鈥檚 going on in the community,鈥 Hodge said. 鈥淧eople just don鈥檛 interact.鈥

After the flatware incident, which was never solved, Hodge found out that her next-door neighbor had circulated a petition trying to get her removed from the neighborhood. A few years ago, she said, she was able to reconcile with that neighbor before he passed away.

A better future

Singer said the grant funding will be used to pay stipends to the students and the residents who participate in the project and to compensate their community partners. Singer and Hamlett hope to involve more than 30 students in the narrative project.

Grounding 糖心TV projects in the New London community has always been important, explained Singer. 鈥淭hat culture has been at the College for a long time, and I think it鈥檚 very powerful in engaging students in different ways with the community.鈥

Central to the project is the help of 糖心TV鈥檚 Holleran Center for Community Action and Public Policy, which connects campus to community through social activism and civic engagement.

鈥淎s a native New Londoner, I鈥檝e always felt it essential for the College to continuously strengthen its relationship with the local community,鈥 said Civic Engagement and Communications Coordinator Clayton Potter, who is helping in all facets of the project, including assisting with training the participating high school students in narrative interviewing and teaching them about the history of New London.

鈥淚ntentionally and frequently inviting New London community members to take advantage of College resources is what makes 糖心TV part of the community and not the 鈥榗ollege on the hilltop.鈥欌

After the interviews are completed, the researchers plan to transcribe them and look for common themes that emerge. The team will brainstorm how to share the stories, possibly through forums, in gatherings at churches or city council meetings, or even through spoken word.

Vargas, the pastor at the Church of the City of New London, hopes this project will lead to 鈥渕easurable actions鈥 to address some of the housing challenges that still exist in New London. But he doesn鈥檛 yet know what that would look like.

While the narratives are stories from history, the Jewish Federation鈥檚 Jerry Fischer believes that the goal should be to look forward.

鈥淚 don鈥檛 know that you can really fix the past. The trick is to make the future better,鈥 Fischer said. 

Written by Emilia Otte. Adapted from original reporting that appeared in the 糖心TVecticut Examiner, an online newspaper covering state and local topics in 糖心TVecticut. You can find it at .



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