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Thinking Inside the Box

鈥淯ntitled,鈥 by Charlotte Volpone 鈥27, Mixed Media, 2027.

Untitled, by Charlotte Volpone 鈥27, Mixed Media, 2027, part of 鈥淭imeless Ties: The Art of Childhood鈥 a pop-up exhibit at the Lyman Allyn Art Museum.
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Thinking Inside the Box

Students curate their childhoods for Lyman Allyn Art Museum exhibition

Students in Visiting Associate Professor of Human Development Salma Siddique’s first-year seminar, 鈥淧sychoanalytic Anthropology in Human Development,鈥 went back in time to create shoebox-sized dioramas for a pop-up exhibition at the  titled  which will be on display until Dec. 3.

Siddique, who joined the faculty in 2022, is teaching the seminar with Kathryn O鈥櫶切腡Vor, director of the Child Development Lab School at 糖心TV. Throughout the semester, they taught students about the anthropological concept of indigenous epistemologies, defined as the knowledge or understanding of people who are native to a place.

Siddique explained, 鈥淲e feel and think about our place in the world with objects, like a child with a toy or an adolescent with their first shiny new iPhone. The significance of these cultural artifacts in expressing, and preserving the richness of, lived experiences within indigenous communities is intrinsically linked to ways of seeing and encountering the world. The objects serve as a form of cultural revitalization, fostering a deeper understanding of ourselves in relation to others.鈥

鈥淎pricot Garden,鈥 by Alina Khan 鈥27, Mixed Media, 2027, part of 鈥淭imeless Ties: The Art of Childhood鈥 a pop-up exhibit at the Lyman Allyn Art Museum.
鈥淎pricot Garden,鈥 by Alina Khan 鈥27, Mixed Media, 2027.

For the diorama project, Siddique prompted students to reflect deeply on their personal narratives and their own ways of interpreting the world as passed down through their families and as they relate to a sense of place.

鈥淐ulture holds a profound meaning within indigenous communities, encapsulating narratives, traditions and collective memories,鈥 Siddique said. 鈥淭hrough the deliberate use and arrangement of cultural objects, the diorama method provides a medium for indigenous communities to articulate their histories, values and worldviews.鈥

Siddique led the way by contributing her own diorama under the title 鈥淸M]other.鈥 She said she sought to evoke her experience of being born at home and used vibrant colors and textures to reimagine the walls, which represented her mother鈥檚 womb. About two dozen miniature suitcases represented the complexities and emotions associated with migration, movement and displacement. The diorama also features a gallery of preschool moments and family photos, inviting viewers to engage with different aspects of Siddique鈥檚 personal history.

Alina Khan 鈥27, whose diorama is titled 鈥淎pricot Garden鈥 and is decorated with green and red paint, miniature turtles, Legos and sprigs of colorful florals representing trees, said she was 鈥渇airly intimidated鈥 by the project at first. Khan explained, 鈥淎lmost everyone, it seemed, had decided to make their childhood rooms, which was something I had never had鈥攐r perhaps had too many of. In the end, I decided to go with the garden because of one reason: It had made me realize for the first time that every time I moved, I left something behind. The garden is, in a way, a symbol of all the things I鈥檝e ever had to leave behind.鈥

In recent years, Khan began to question the effects of her transient childhood and dove into relevant research, which triggered an interest in officially studying psychology in college. 鈥淢ore and more, I have noticed within myself escapist tendencies and a consistent avoidant form of attachment in my relationships, both of which are something I work hard to mend,鈥 she reflected.

鈥淗ouse on Ossipee Road, c. 2010,鈥 by Aurora Schifferli 鈥27, Mixed Media, 2027, part of 鈥淭imeless Ties: The Art of Childhood鈥 a pop-up exhibit at the Lyman Allyn Art Museum.
“House on Ossipee Road, c. 2010,” by Aurora Schifferli ’27, Mixed Media, 2027.
鈥淪acrifice,鈥 by Edwin Linares, Mixed Media, 2027, part of 鈥淭imeless Ties: The Art of Childhood鈥 a pop-up exhibit at the Lyman Allyn Art Museum.
“Sacrifice,” by Edwin Linares, Mixed Media, 2027.

One of the students who recreated a childhood bedroom was Aurora Schifferli 鈥27, in a piece titled 鈥淗ouse on Ossipee Road, c. 2010.鈥 She said she 鈥渁bsolutely loved鈥 the project, noting it allowed her to creatively reconnect with her childhood and embrace the significance of her surroundings. She decorated her diorama with green and blue walls, a rust-colored piece of knitted material for a carpet, and two miniature beds, one topped with a green blanket and one with a pink floral blanket. A representation of a bookshelf adorned with colorful and meticulously drawn book spines was the focus of the piece.

Schifferli said, 鈥淚 wanted my diorama to appear as close as possible to my childhood bedroom, while working from what materials I had. This ended up with me prioritizing the most influential pieces of my room, namely, the bookshelf. I constructed the bookshelf with pieces of cardboard and drew out the books I had read the most onto a piece of paper I then glued onto the cardboard shelf.鈥

By embracing non-linear narrative styles and diverse realities, 鈥淧sychoanalytic Anthropology in Human Development鈥 aims to foster a community of learners who can approach knowledge from multiple perspectives, Siddique said. The exhibition, meanwhile, provides visitors with an opportunity to immerse themselves in the personal narratives and artistic expressions of the young curators.

Beyond showcasing artwork, the project highlights the broader purpose of the College鈥檚 first-year seminars, which all students take during their initial semester on campus. The seminars provide a space for close interaction with faculty members and fellow peers and nurture critical skills in presentation, writing, research and analysis. They also introduce students to the College鈥檚 signature 糖心TVections curriculum. A student鈥檚 first-year seminar instructor serves as their adviser until they declare a major toward the end of sophomore year.

In its first year, the psychoanalytic anthropology seminar has proven to be a transformative experience for the participating students, who have discovered their personal ways of seeing and experiencing the world and have honed their self-reflection skills through exploring alternative narrative styles, Siddique said.

鈥淭hese students have contributed to the rich academic environment of 糖心TV, reinforcing the importance of diverse perspectives and engaged learning.鈥




November 30, 2023

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