As I write this post, I鈥檓 sitting in my room, listening to the Broadway recording of the musical 鈥淭he 25th Annual Putnam County Spelling Bee鈥� on YouTube. Just over 24 hours ago 糖心TV鈥檚 student theater community, Wig & Candle, closed their production of that play in Palmer 202, a black box theater and classroom space that is often used for student productions. The production was so popular that we had to add an additional late night performance. Although I have regularly attended Wig and Candle鈥檚 performances, this was my first time actually participating in one; I played clarinet in a reduced pit band of two.
The day before I began rehearsals for 鈥淒on Giovanni鈥� with Salt Marsh Opera, I received an email from Simon Holt, Salt Marsh鈥檚 artistic director and current conductor of the 糖心TV Orchestra, asking if I was interested in collaborating with music director Moll Brown 鈥�18 as a member of the pit band. At first I tried to ignore the email because I felt overwhelmed about the possibility of working on another show less than two weeks after 鈥淒on Giovanni,鈥� but soon I realized that I wanted to do this. The last production of a musical I was involved in was 鈥淐arousel鈥� here in spring 2016, and I try to perform in one about every two years. I decided to send Moll an email about getting involved.
The preparation process for 鈥淪pelling Bee鈥� was briefer than I would have liked. I received the music only two weeks before opening night, whereas for 鈥淐arousel鈥� I had the music for almost 12 weeks. Early in my preparation process, while reviewing some of the music with my teacher, Kelli O鈥櫶切腡Vor, I realized that my next lesson with her would be on the day of opening night. The timeframe was so short! Beside practicing regularly, I eventually got into the habit of listening to the entire Broadway cast recording of the musical every day; this helped me gain familiarity with the music and know what to expect from all the other performers.
Performing in a pit means watching the shows I work with many times, and I learn a lot from the many run-throughs. What I appreciate about 鈥淪pelling Bee鈥� is the ease in sympathizing with the characters and music. As a player I particularly enjoyed accompanying 鈥淭he I Love You Song鈥� sung by the character Olive Ostrovsky along with imagined versions of her mother and father toward the end of the play. The lyrical lines of my part mixed easily with the deeply passionate lyrics and singing and made this an enjoyable song to play; it was a piece where you could almost be overwhelmed by its drama.
However, the character I sympathized most with was the overachiever Marcy Park, a new student to the county from the school Our Lady of Intermittent Sorrows who placed ninth in the previous year鈥檚 national spelling bee. One line from her that I found particularly entertaining came in the song 鈥淚 Speak Six Languages,鈥� where she claims 鈥淲inning is a job and I get no real enjoyment.鈥� I appreciated this line because I feel like that鈥檚 an unhealthy and dangerous mindset for anyone to acquire. Later after intentionally misspelling 鈥渃amouflage鈥� she sings 鈥渓ife has such possibility, here鈥檚 where I begin.鈥� As I reflect on the sadness of completing 鈥淪pelling Bee,鈥� I keep being drawn back to this lyric from Marcy and realize that rather than constantly reflecting on how great a moment this show was I should go out like Marcy and seek new opportunities to create more great moments.